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Play Time: 2:10 - 3:20
Unique Durations: 6-7
Unique Chords: > 10
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Baroque
Lully Passacaille de Persée
Fabio Lee
3:14 Est. Play
Time
89 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
鋼琴 Treble 18 18 5 7 100%
Bass 21 1 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
鋼琴 Treble 18 18 5 7 100%
Bass 21 1 3 5 100%
 
Handel, G.F., O Sing unto the Lord a New Song
pental
3:11 Est. Play
Time
60 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
Organ Treble 27 0 5 5 100%
Oboe Treble 17 0 5 7 98%
Violino
I		 Treble 22 0 6 7 98%
Canto Treble 15 0 4 8 95%
Bassoon Bass 17 0 4 5 93%
Violino
II		 Treble 25 0 8 6 93%
Violoncello Bass 21 0 5 5 93%
Contrabass Bass 20 0 4 5 92%
Basso Bass 16 0 5 8 90%
Tenore Treble 16 0 6 7 78%
 
Vivaldi Concerto for Two Oboes (RV 535) II. Allegro Piano Transcription
johnsmith1
2:10 Est. Play
Time
65 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 40 12 6 99%
Bass 27 7 9 4 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 40 12 6 99%
Bass 27 7 9 4 98%
 
Prelude
Jake Russell
2:20 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 33 17 11 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 33 17 11 6 100%
 
J.P. Rameau Suite en Sol Menuet I et II
pental
2:24 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 12 6 6 100%
Treble 26 11 3 6 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 12 6 6 100%
Treble 26 11 3 6 85%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
The Fatal Hour - Henry Purcell (W/Melody)
Michael Serrano
3:10 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 69 9 6 99%
Bass 27 16 6 6 100%
Voice Treble 16 0 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 69 9 6 99%
Bass 27 16 6 6 100%
Voice Treble 16 0 6 8 100%
 
"Gymnopédie-ed Prelude" in C Minor for Piano
Mike Magatagan
2:44 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 63 13 6 98%
Bass 21 11 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 63 13 6 98%
Bass 21 11 6 5 100%
 
Study for Harpsichord
Isaac S.
2:10 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 22 3 7 93%
Bass 13 1 2 7 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 22 3 7 93%
Bass 13 1 2 7 97%
 
HWV7A2N0b "Siam prossimi al porto" (1731)
edward.maurath
2:15 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
Violoncello Bass 22 0 6 7 100%
Goffredo 14 0 4 7 57%
Violins Treble 12 0 2 6 41%
Kontrebaß Bass 15 0 1 5 40%
Violoncellos Bass 15 0 1 5 40%
 
Schelle, Johann : Komm Jesu komm (trans)
Haricophile
2:57 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 33 3 7 100%
Bass 14 14 3 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 33 3 7 100%
Bass 14 14 3 6 100%
Alto Treble 7 0 1 7 100%
Basse Bass 9 0 2 7 100%
Mezzo-soprano Treble 8 0 2 7 100%
Soprano Treble 9 0 2 7 100%
Ténor Treble 8 0 2 6 100%
 
"D'allor trionfante si" from "Il Pastor Fido," HWV 8
edward.maurath
3:15 Est. Play
Time
60 Measures
1,147Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 61 13 6 96%
Bass 19 33 9 5 92%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 61 13 6 96%
Bass 19 33 9 5 92%
Violoncello (Continuo) Bass 16 0 9 4 92%
Violini 1 Treble 14 0 8 6 80%
Violini 2 Treble 14 0 8 6 80%
Contrabassi (Continuo) Bass 14 0 8 4 73%
Violoncelli (Continuo) Bass 14 0 8 4 73%
Soprano
as Eurilla



 12 0 8 6 68%
Bassoon (Continuo) Bass 9 0 0 3 42%
Bassoon (Viole) 8 0 0 4 42%
Oboe 1 Treble 11 0 0 4 42%
Oboe 2 Treble 11 0 0 4 42%
Violas 8 0 0 4 42%
 
"Sol dal brando," from "Rinaldo," HWV 7
edward.maurath
2:43 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
Violoncello (Continuo) Bass 19 0 4 5 100%
Alto
as Goffredo		 16 0 5 7 77%
Contrabasses Bass 16 0 1 4 77%
Violini Treble 16 0 1 4 77%
Violoncellos Bass 16 0 1 3 77%